An immersion in the Voden Iri-Hisar hunting reserve in northeastern Bulgaria, a unique place for its attention to natural resources and the wildlife that inhabits it. Naturamorta follows the hunting cycle by tracking the work of the guides and in particular that of Plamen, a reclusive figure and a man deeply connected to that ancestral place. Divided into different moments of the hunting season, the documentary tells us, through remote observation, the different facets of an activity that moves away from the merely sporting connotation. A natural home to several species including the noble deer, Voden Iri-Hisar is a coveted and at the same time almost mythical destination. What is the function of hunting guides? What are the consequences on hunters who accompany clients toward the appropriation of trophies? The documentary asks several questions about the nature of this tradition and the link between man and nature, which here becomes inseparable and sometimes contradictory.
The challenge of this documentary is to try to investigate the true nature of hunting, in such a unique place as the Voden Iri-Hisar reserve, trying to go beyond easy judgments and attempting to provoke deeper questions in the viewer. Through the director's connection to the area and through his training in the field of figurative art, the goal is to bring out pictures that can show a millennia-old tradition and make people reflect on the great mystery of nature. The documentary aims to investigate the animal and natural side of a place that can offer endless possibilities: not just a simple hunting reserve that provides employment for the local inhabitants, but also an expanse of individual solitudes. That place becomes fertile ground for awakening an ancestral inner conflict that often accompanies the figure of the game warden/hunter. After all, the intention of this documentary is to focus on such a deep-rooted and indecipherable question.